Download PDF , by Nissa Leder
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, by Nissa Leder
Download PDF , by Nissa Leder
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Product details
File Size: 3847 KB
Print Length: 328 pages
Simultaneous Device Usage: Unlimited
Publisher: Violet Dreams Publishing (July 13, 2017)
Publication Date: July 13, 2017
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B073XVRFDV
Text-to-Speech:
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Amazon Best Sellers Rank:
#16,510 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I read a lot of fantasy/fae books and while I really wanted to like Two Princes of Summer, I really did not. Both the characters and the plot are lacking in depth. Because of this, I didn't care about the characters and the plot was predictable. Almost from the very beginning it's easy to guess what's about to happen. I stuck around through the end to see if I was proved wrong and unfortunately, I was not. It was a quick read with rather short chapters, and the story progresses unnaturally quickly. We go from her mother dying, to abandoning her sister, to falling in love within one book. Had the story had depth and definition, those plot lines could have been written richly and carried through to two or three books. Instead we get several months of progression jammed into one book with no time to establish characters or build relationships. It's like, yeah she's in love, but why? Because some supernaturally gorgeous creature abducted her? Because the other boy is being mean to her? Because he has a pretty treehouse? I guess?Contrary to what other reviewers have said, I really don't think this book is for you if you're a fan of Sarah J. Maas. While Two Princes of Summer and Maas's Throne of Glass/A Court of Thorns and Roses may all be considered "young adult" fantasy, Two Princes is for a decidedly younger audience. Despite having sexual overtones/scenes - the rest of the book feels extremely adolescent. I could see this book being popular with junior high school aged girls. The lack of depth and emotion paired with the sappy romance makes it feel like it should be aimed at very young girls, but the sexual overtones/scenes jump it past that age group. The book seems just as confused as I am. It has the vibe of "I'm just a totally average girl how do I have these handsome princes fighting over me??" a la Twilight. It's just a overdone. It lacks depth, grit, and any sort of emotion.As far as writing goes, there were spelling and grammatical issues on top of an abundance of clunky phrasing. One thing that constantly irritated me throughout the entire book was the inordinate repetition of the main character's name. It just boils down to unsophisticated writing. On any given page you can be expected to read her name 5-7 times, and not even in dialogue. For example: "Now Scarlett really felt like a princess. [...] Scarlett pulled the nighty over her head and handed it to Peony. [...] Scarlett waited until the bathtub was half full and then stepped inside. [...] As Peony rinsed the soap off of Scarlett's shoulders, Scarlett asked, 'You're human, right?'" You have to read her name 5 times in one paragraph, that in its entirety is only seven sentences long. It's mentioned on that same page 2 more times.I was caught by the description and all the good reviews. With the main plot concept, it had the potential to be so much more than it is. Unfortunately, it just feels like the shell of a rough draft of a cheap faerie fanfiction.
Scarlett had always wished for more from life. More excitement. More surprises. More something. She craved new adventure. So much so, she never appreciated what she had. Now her mom was gone, and, despite her mom's fits and outbursts, all Scarlett wanted was to have her back.OH MY GOD! I am completely enamored by the beginning of what is sure to be an epic series. The Two Princes of Summer is an absolutely perfect read for fans of Cassandra Clare, A.G. Howard and Sarah J. Maas. In many ways, this introduction to The Whims of Fae exceed even my strongest expectations and I am honestly so, so, so captivated.The thing about this novel is that it's a very quick read and kept me pinned to my seat for a good few hours. And while there are flaws in it, it still remains as compelling as a good fantasy novel should. Not to mention, it tackles some darkness of an ordinary life beyond the veil of Fae. I loved the world-building we grew to witness and the entire concept of this realm of Fae. It felt very, very reminiscent to other explorations in the genre however the characters and writing definitely made it a world of its own.What I loved most about this book is that I felt it truly outshines what I thought it was going to be. Is it the most unique perspective I've ever read? At this rate, no. Not a lot would be, given how much I have been reading for my twenty-something years. Were there a lot of archetypes that could have been avoided? Sure. But, as with good literature, its flaws never took away from its outline. I genuinely loved the magic of it all--the familiarity of Fae; the changes from other contemporary releases, the tangling of our realm vs. theirs--and the characters were pretty multi-faceted and easy to root for or dislike.Leder crafts characters that could easily scatter across realms. Scarlett could be your best friend. Cade could be that boy that intrigues you but loses his novelty as his true colours come to pass. Kaelem is that guy--attractive, mysterious, very morally gray--you secretly want but will never in a million years trust. And lastly Raith showcases that juicy quality of being misunderstood and very underestimated.(Then, there's the villains. Kassandra, clearly, being at the forefront.)Don't even get me started on minor characters! I'm hoping that the next installment (which, in all honestly, I'm starting immediately) we get more of Scarlett's best friend Natalie and her sister Ashleigh. Scarlett spent most of the novel in the realm of Fae and now that she is back home, however temporarily, I do hope we get more of the ordinary people as the story progresses. I'm very intrigued by what shall be known about her heritage--was her mother Fae, or was it her father?--and what comes next.Honestly, it's easy to get invested in these characters.That being said--I'm not holding my breath for redemption when it comes to Cade's actions and can honestly say my opinion on him shifted quite quickly. I had lukewarm feelings towards him to begin with, but after that twist (see: supposedly killing not one, but two characters) I just don't know what to expect of him. There's that inner struggle but honestly, I think he is far too like his mother (Kassandra) to ever be completely redeemed and now that the line was crossed... well. I am just not feeling him.Scarlett and Raith were definitely my favourite characters. At first, I wasn't feeling the chemistry and obvious tension between them--it felt a little forced and too TVD love triangle for my taste--but after a certain point, I can't help but to want them to be endgame. Tension is one thing. Genuine connections is a whole other nod--and they really have one.I loved the way that both of them developed as the pages went. I'm not saying they are 100% or that their growth ends here, but looking at where they started and where they landed once the chips fell? I'm into it.Overall, The Two Princes of Summer was magical and short without ditching out on any action and romance.There was this sense of danger lingering beneath the magic and the self discovery and I can't wait to see what happens next! Should we trust Kaelem? What was in that pill? Now that Scarlett is home--and hopefully repairing her relationship with her sister--what is to happen to her magic? Her mental health? What's Kassandra's next move, now that Cade is making his way and bending to her will, like the mama's boy he is? When will Raith and Scarlett meet again? And what happens when Cade finds out the truth of his supposed victory and kills?
This book has a really interesting, if popular, concept, and I was excited to see the emotional twists this author promised. Unfortunately, this book reads more like it was meant for children. The dialogue was stiff, characters were hardly even one dimensional, and the world building was completely forced. I'd recommend it for kids, but the author clearly wants it to have a mature audience since she tried to incorporate concepts of rape, consent, and sexual awakening in the book, which all fell completely flat with the lack of emotional depth in a book about emotion. All in all, would not pay for this book again.
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